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An Inspector Calls

J. B. Priestley · England, 1945 (set 1912) · Non-African drama · WAEC set text 2026–2030

Why it is on the list

A well-made play about class, guilt, and whether we are responsible for each other. The Inspector may not be a real policeman.

Setting

The Birling dining-room in a Northern industrial town, one evening in 1912.

The story

  • The Birlings are celebrating Sheila’s engagement to Gerald Croft. Arthur Birling, factory owner, lectures on self-reliance and a future of prosperity — the Titanic, he says, is unsinkable.
  • Inspector Goole arrives. A girl, Eva Smith (also Daisy Renton), has died after drinking disinfectant. He interviews them one by one.
  • Birling sacked her for striking. Sheila had her fired from a shop in a fit of jealousy. Gerald kept her as a mistress one summer. Mrs Birling, from the charity committee, refused her help when she was pregnant. Eric, the son, is the father; he stole from the firm to support her.
  • Each has a piece of the chain. The Inspector leaves them with a warning: “We are members of one body.”
  • A phone call: no such inspector, no dead girl at the infirmary. The older Birlings relax. The younger ones do not. The phone rings again: a girl has just died, and an inspector is on his way.

Characters

Inspector Goole
Catalyst. Moral voice. Possibly not of this world. He already knows.
Arthur Birling
Capitalist, father, the man who will not accept a chain of responsibility.
Sybil Birling
Mother, charity chairwoman, snob. The last to break, if she breaks.
Sheila Birling
Daughter. She learns. The play’s hope sits with her and Eric.
Eric Birling
Son, drinker, thief, father of the unborn child. Guilty and still capable of facing it.
Gerald Croft
Fiancé, almost one of the family, almost honest, then relieved to wriggle out.
Eva Smith / Daisy Renton
Never on stage. Every speech describes her. That absence is the point.

Themes

  • Collective responsibility versus “a man has to mind his own business”.
  • Class: who gets to be believed, who gets to be sacked.
  • Time: 1912 seen from 1945 — the Titanic, the wars Birling cannot imagine.
  • Generation: the young can still change; the old want the evening back.

In the exam

  • The set is one room. Lighting, the doorbell, the Inspector’s entrances — stagecraft is a free marks section if you mention it.
  • Eva’s two names let Gerald think he is in a different story. He is not.
  • The last phone call is not a twist for its own sake. It asks whether they will do the same things again.